Interview with wedding planner – The Star Inside

wedding venue

Can you tell me a little bit about your journey towards becoming a film photographer? 

I am a London based fine art wedding photographer. I shoot with both medium format film and digital. I used to work with digital cameras only for many years, but I have reached the point of wanting to create better work. So I started to look into film photography, and then I fell in love with it! Film produces such an incredible look on the skin tone, and it has an ethereal and elegant finish. It’s timeless and has a romantic feel to it, and that’s what my brand is all about. I also really enjoy the process of not being able to see the images until the lab returns the scans – it’s like unwrapping Christmas presents each time!

Wedding details

If a couple has their heart set on film photography for their wedding, what type of venue or location should they be looking for, and why? Is there anything else they should keep in mind during their wedding planning?

Photography is always about light, light and more light, and even more so for film photography. So a venue with lots of natural light would be the best choice. Speak to your photographer, plan ahead and find out the best way to work together to create the images that you have been dreaming of. 

What are the main challenges and limitations you’ve learned about? Film has its limitation: it craves light! It works great when we are at bright outdoor locations or indoor locations with big windows. But once the sun is gone, then our options for film stocks become very limited, we can either shoot with a black and white film or use artificial light to light the scene. But that’s why having the options of shooting both digital and film is the best combinations on a wedding day. 

wedding venue

If you’re happy to share, could you talk to us about why the investment is typically higher for film photography vs digital?

It takes time and lots of practice to master film photography, and to able to produce consistent results no matter what lighting situations you find yourself at. There’s the actual cost of shooting film and also of developing them as well of course – I ship my film rolls across the continent to Canada, where a professional team develop the rolls for me. Overall, it’s a more complicated process, involving more human time and also more specialist machinery. But if you love the look of film photography, it’s worth it!

Let’s get technical! If you’re happy to share, could you tell us what your go-to camera, lens, film, and film lab are? Why are these your favourites?

I shoot with a Contax 645, favourite film stock is Kodak Portra 400, and I use the Canadian Film Lab to get the film processed just how I vision it.

black and white film triple exposures

If you would like to read the full interview, please continue on here.


Leave a comment

Your email address will not be published. Required fields are marked *